The Art of Resurrection

The 1932 The Mummy is, by most metrics, the weakest of the iconic Universal pantheon of monster movies. There are certainly other Universal monster movies that are worse, but of The Big Ones – Dracula, Frankenstein, The Mummy, The Bride of Frankenstein, The Wolf-Man, The Creature from the Black Lagoon – it’s The Mummy that struggles the most. The structure is in many ways derivative of Dracula, the monster’s memorable appearance gets barely any screen time, and the movie’s strengths aren’t enough to outshine its problematic weaknesses.

In other words, of the core Universal canon, it’s the one most suited to a remake.

Continue reading “The Art of Resurrection”

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